Ever thought of growing old? Will you remain with your memories, or will they slowly disappear? When you think of it more deeply, it is actually a terrifying thought—living all these 80 to 100 years building a lifetime of love, lessons, and laughter, only for those experiences to vanish—or worse, getting stuck at a certain
A Kind of Madness Review: Dementia, Family, Memories, and Aging Read More »
I wanted to watch something Latin American, and when I stumbled upon Memory (2023), directed by Michel Franco, the fact that it was an independent feature film felt like the ultimate cherry on top. Plus, it stars Jessica Chastain. I went into this movie genuinely excited. Unfortunately, just 30 minutes in, I found myself fast-forwarding
Memory (2023) Review: A Missed Opportunity for PTSD Healing That Became a Romcom Read More »
As a reader, there is nothing quite like the thrilling, terrifying gamble of a book-to-screen adaptation. We all know that pure rush of excitement when you can finally put a face to a beloved character, or the absolute bonus of seeing an actor you adore bring those complex, page-bound emotions to life. But let’s be
Wuthering Heights (1992)– The Adaptation That Didn’t Betray the Book Read More »
I’m a sucker for romantic thrillers. There’s something about the chaos of the plot crashing into those quiet, soft moments between the leads — those are the scenes that stick with me long after the credits roll. So when Siren Kiss dropped, I was genuinely excited. The director, Kim Chul-gyu (who gave us Flower of Evil and Celebrity), and writer Lee Young (known for Stranger and Life)
Siren’s Kiss (2026) K-Drama Review: A Masterclass in Chemistry, A Disaster in Logic Read More »
Let me just say this upfront: From Scratch is for all the romantics. If you want a good tearjerker, a beautiful rom-com that punches you right in the heart, and something based on a true story—well, Tembi Locke (inspired by her memoir), opened up her diary for us. And what she gave us is a love story
From Scratch (2022) Review – A Love Story That Will Break You Beautifully Read More »
Let me tell you about Ran. This Japanese classic is hands down one of the best book-to-movie adaptations you will ever watch. And for my readers who know the books always set the bar high, imagine adapting a Shakespeare play and actually doing a good job. No, scratch that. An incredible job. Ran is based on King Lear by William Shakespeare. But director
Ran (1985) Review: One of the Best Book-to-Movie Adaptations You Will Ever Watch Read More »
Pixote: A Lei do Mais Fraco (1981), directed by Héctor Babenco, is one of those films that hits you once—and then just stays with you. Written by Babenco and Jorge Durán, this Brazilian classic was restored in 2025, but honestly, it feels like it could have been made yesterday. That’s how little the world has
Pixote (1981) Film Review – A Story That Never Left the Streets Read More »
It was actually the trailer that got me hooked. And since I’m a Christian myself, I was really curious to see Ann Lee brought to life on screen. The movie is based on the real-life Ann Lee (1736–1784) , the founder of the Shakers (officially the United Society of Believers in Christ’s Second Appearing). She is believed
The Testament of Ann Lee – Faith, Performance, and a Missed Spiritual Depth Read More »
Before Christianity, before missionaries, before the slave trade—Africans had their own gods. What many today call juju was, and still is, African Traditional Religion. Every community had spiritual leaders. These weren’t just background figures—they were central to society. Consulted before wars, Present in marriage decisions, Involved in major community choices, and even influential in selecting
Yeelen (1987) – Brightness and the Power of African Storytelling Read More »
Was looking for movies that laid the groundwork for African cinema—the pioneers, the godfathers, the early voices in directing, acting, and storytelling—I stumbled on this classic: Straight out of Senegal, this film is directed by Ousmane Sembène, one of the most respected and influential figures in African cinema. Sembène isn’t just a director—he’s often called
